Tag Archives: bilingualism

Common beliefs about dyslexia

Dyslexia is primarily a language-based reading disability, not a visual-based disability.

Research has shown that people with dyslexia are more likely to have children with dyslexia. A child with one parent with dyslexia is about 40% to 60% likely to have dyslexia themselves.

In dyslexia identification there are clear and well-defined cut-off points. An individual either has dyslexia or not.

Because the core difficulties associated with dyslexia are related to how the individual sounds of language are processed in the brain, and not visual perception, coloured overlays do not improve reading accuracy or comprehension for dyslexic students. Research evidence shows no significant benefit in terms of objectively measurable reading gains when using colored overlays despite the fact that many dyslexic students report that they find them useful.

People with dyslexia have difficulties with processing and manipulating the smallest sounds of language, called phonemes. Research shows that, in students with dyslexia, the part of the brain that processes those sounds and connects those sounds to letters is under-activated as compared with typically developing readers. People with dyslexia also perform more poorly on tasks that require analyzing, synthesizing, and manipulating phonemes.

There is no scientific evidence that seeing letters and words backwards is a characteristic of dyslexia.

There is a significant and pronounced difference between males and females when it comes to ‘identified’ dyslexia and reading difficulties. There are a number of reasons for this, one of them is that females and males use different behavioural and emotional compensation techniques and react differently when faced with these challenges. Therefore boys are more easily identified as dyslexic in school settings. When researchers identify dyslexia in the general population, there is less pronounced difference between males and females in the prevalence of dyslexia. Researchers examined gender differences based on the variation in reading abilities among males and females. They found that males show more variability and depending on the cut-off point for identifying dyslexia, indeed there might be more male than female dyslexics (Hawke, J. L., Olson, R. K., Willcut, E. G., Wadsworth, S. J., & DeFries, J. C. (2009). Gender ratios for reading difficulties. Dyslexia, 15(3), 239-242.)

This statement might be true although research evidence is often contradictory on this question.

Research suggests that there are significantly more dyslexic individuals among art students than non-dyslexic ones (Wolff, U., & Lundberg, I. (2002). The prevalence of dyslexia among art students. Dyslexia, 8(1), 34-42). There is also neuroimaging evidence that shows that lower reading skill is associated with a visuospatial processing advantage (Diehl, J. J., Frost, S. J., Sherman, G., Mencl, W. E., Kurian, A., Molfese, P., … & Pugh, K. R. (2014). Neural correlates of language and non-language visuospatial processing in adolescents with reading disability. NeuroImage, 101, 653-666). However, some studies have found that the visuospatial superiority is more apparent in dyslexic men than women (Brunswick, N., Martin, G. N., & Marzano, L. (2010). Visuospatial superiority in developmental dyslexia: Myth or reality?. Learning and Individual Differences, 20(5), 421-426.)

Because dyslexia is caused by difficulties with processing individual sounds of language in the brain, researchers know that effective instruction includes explicit and systematic instruction in phonemic awareness (practice manipulating the individual sounds in our language) and phonics (practice connecting those individual sounds, or phonemes, to letters). There are no scientifically proven benefits of eye-tracking exercises.

Source: https://www.futurelearn.com/courses/dyslexia/8/steps/1399907

Remote teaching tips

This publication offers a range of practical tips and advice for remote teaching in all contexts.

Technology has already transformed our century. Smartphones, cloud computing, social media and videoconferencing are only a few of the major innovations that have exploded onto the scene. They have changed our lives and completely changed the ways in which we communicate and access information and learning. 

Yet in 2020 teachers have also had to face another unexpected challenge – the Covid-19 pandemic. We know many children have missed learning during school closures and too many lack the conditions for remote learning. But the more that teachers can provide remote teaching the better.

These tips provide new ideas for teachers less familiar with remote teaching and provide fresh insights for teachers who already teach remotely. See the list of tips and guidance below:

  • Getting started with online teaching
  • Keeping your learners safe online
  • Lesson planning for teaching live online
  • A menu of ideas for online lessons
  • Supporting neurodiversity in online teaching
  • Inclusion in remote teaching contexts
  • Helping parents and caregivers to support remote learning
  • Supporting your child to learn remotely at home
  • Maximising speaking opportunities in online lessons
  • Maintaining student motivation while teaching remotely
  • Using Facebook to teach English remotely
  • Using mobile messenger apps to teach English remotely
  • Teaching English via television or YouTube
  • Teaching English using SMS
  • Teaching English via telephone calls
  • Teaching English via radio
  • Teaching English remotely with limited technology
  • Zoom: top tips for online English teaching

Source: https://www.teachingenglish.org.uk/article/remote-teaching-tips

What happens when we open a book? 📚

I Opened A Book
by Julia Donaldson

I opened a book and in I strode
Now nobody can find me.
I’ve left my chair, my house, my road,
My town and my world behind me.

I’m wearing the cloak, I’ve slipped on the ring,
I’ve swallowed the magic potion.
I’ve fought with a dragon, dined with a king
And dived in a bottomless ocean.

I opened a book and made some friends.
I shared their tears and laughter
And followed their road with its bumps and bends
To the happily ever after.

I finished my book and out I came.
The cloak can no longer hide me.
My chair and my house are just the same,
But I have a book inside me.

“Books shouldn’t be daunting, they should be funny, exciting and wonderful; and learning to be a reader gives a terrific advantage.” Roald Dahl

“There is no bond like the bond of having read and liked the same books.” E. Nesbit

“Books are the quietest and most constant of friends; they are the most accessible and wisest of counsellors, and the most patient of teachers”. Charles W. Eliot

Source: http://www.activityvillage.co.uk/

Using Idioms Like a Native

Idioms are commonly used in spoken and written English. They add colour and interest to what we are saying. But how often do we actually find idioms in their original and full form? In today’s blog, we are going to be showing you how to use idioms like a Native English speaker!

1. Shorten the Idiom

Native English speakers are usually confident that their readers or listeners will recognise the idiom, so well-known phrases rarely need to be given in full. You may hear someone being warned not to count their chickens (don’t count your chickens before they are hatched) when they assume a future plan will be successful, or a friend may hint that her colleagues took advantage of the boss’s absence with when the cat’s away! (when the cat’s away, the mice will play).

Some idioms can be shortened in other ways such as long story short (to cut a long story short).

“Anyway, long story short, it turns out Drake isn’t really his father.”

Sometimes only a fragment of the original idiom remains. It is common to see restaurants offering early bird menus or prices (the early bird catches the worm). Someone may describe a terrible idea as a lead balloon (go down like a lead balloon). I recently heard someone talking about a baby and bathwater situation (don’t throw the baby out with the bathwater) when the whole of a plan was rejected because of a problem with only part of it.

2. Reverse the idiom

Another common way of changing an idiom is to reverse its meaning. For example, if you don’t want to deal with a problem straight away, you may put it on the back burner, but if something needs immediate attention, you can put it on the front burner. In your home village, you might be a big fish in a small pond but if you move to a large city you could end up a small fish in a very big pond.

Many idioms are very versatile and can be changed in a variety of ways. A carrot and stickapproach involves offering rewards and making threats to persuade someone to do something. However, you may come across examples like the following:

“Why use a stick when a carrot will work better?”

“Their approach is all stick and no carrot.”

“They are using every carrot and stick at their disposal.”

3. Adapt the idiom

One of the most attractive aspects of idioms is their adaptability. It is often possible to substitute one or more of the words in them to adapt to a particular situation. When two people have opposite tastes, you can say one man’s meat is another man’s poison. But how about one man’s junk is another man’s treasure or one man’s madness is another man’s genius? The possibilities are endless.

Substitutions can also be used to alter the meaning of an idiom. For example, a plain-talking person will call a spade a spade, but someone who is more frank than necessary may call a spade a shovel. On the other hand, someone who is reluctant to speak plainly may call a spade a gardening implement.

So, why not have a go at adapting some idioms yourself? After all, when in Rome…

Source : https://learningenglishwithoxford.com/2022/01/07/using-idioms-like-a-native/?dm_i=1MVU,7P23N,9YU4NM,VD5PV,1

How young children learn

Young children learn in an integrated way and not in neat, tidy compartments. A child making shapes out of plasticine is learning maths (shape) and art (texture, shape, design, colour), building fine motor skills (physical development), and hearing or using language to describe shapes, colour, texture, materials and techniques (English). The activity drives the need to communicate.

Young children will learn a language better when they see a genuine need for communication, which is often the language they are hearing or using while they are doing an activity that they enjoy.

While adults can plan a range a activities to enhance the learning experience, not all of them will be motivating for every child. Children more likely to be motivated if the activity or experience is meaningful to them. Taking time to get to know the children and finding out what they are interested in is essential if you want to motivate them and help them learn.

The interactions you have with a child while they are engaged in an activity help develop language and communication in context, making the language learning more memorable and authentic.

Rhymes, songs and chants help children memorise words and sentence structure, and they also help with pronunciation, expression and the rhythm of sentences. Children learn their home language by playing with language in this way, and it’s a fun way for them to learn another language too!

A good story takes children to an imaginary world filled with characters and events that will make them want to find out what happens in the end, and that they will want to hear again, join in retelling, and even retell in their own words. Illustrations and actions help children understand descriptions of characters and events, because they can connect what they are seeing and doing with the language in the story.

Giving clear, simple instructions in English with accompanying actions, gestures or demonstrations is more likely to result in children understanding. Children love copying – the teacher, their parents, older siblings or friends – and will often join in after observing how something is done. Including routines is also a useful way of helping young children understand what is expected of them (e.g. every time we sit on the mat we will hear a story or sing a song). Children may not understand straight away, but giving instructions in English is an excellent way of reinforcing key language, so in the long run it’s worth the effort.

How can we play with children

Here are several games and activities to do with children to help them learn and interact.

Playing with blocks

  • use language for counting and sorting: How many are there? Shall we put the blue ones here?
  • use positional language: in, on, under, below, behind, next to
  • explore language related to size: big, small, long, short
  • describe what a child is doing while playing: finding, stacking, pulling, pushing, building, pressing, dragging
  • describe shapes and objects the children are making: square, rectangle, tower, house, castle, garden

Dress-ups (and drama)

  • describe the costumes (fairy, princess, pirate, king, clown) and actions for getting dressed: put on, pull up/down, zip up, do the buttons up, unbutton, unzip
  • highlight the relevant parts of the body: put your arms through here, tie this around your waist/wrist, put these on your feet – first your left foot, then your right foot, put this over your head
  • use nursery rhymes and stories to model language for imaginary play
  • develop listening comprehension by encouraging the children act out the rhyme or story in their costumes
  • extend vocabulary associated with role-play: hospital, airport, artist’s studio, garden centre, vet, doctor, routines (breakfast/lunch/dinner/bed time)

Making and decorating (art and craft)

  • name the materials: paint, paintbrush, crayon, felt-tip, marker, card, paper, crepe paper, shiny paper, tissue paper, newspaper, glue, scissors, cotton wool, fabric, sequins, feathers
  • describe properties and textures of materials: runny, thick, smooth, hard, long, short, spiky, rough, shiny
  • experiment with and describe colour
  • use instructions: paint, draw, colour, smudge, blur, blow, copy, pour, make, cut, stick, decorate, hang (it) up
  • art appreciation and describing what the children have made, painted or drawn.

Malleable materials (dough, plasticine, clay)

  • use language of manipulation: push, pull, drop, squeeze, press, bend, twist, roll, stretch, squash, squish, pinch, flatten, poke, scrape, break apart
  • describe length/thickness: longer than, shorter than, the same length as
  • use language related to colour and smells
  • describe texture: soft, hard, squishy, lumpy, grainy, shiny
  • talk about materials that can be added to dough: feathers, sticks, twigs, shells
  • explore language related to shapes

Music and movement activities

  • use language related to actions, position and parts of the body: put your hands up in the air, draw circles in the air, touch your nose, wriggle your fingers, jump, hop, lie face down on the floor, lie on your back, move over there, come closer, curl up into a ball, stretch your arms out as wide as you can, take a nap
  • name musical instruments: shaker, drum, recorder, xylophone, block, triangle, bell, tambourine
  • use language to describe sounds: loud, quiet, soft, high, low, long, short, fast, slow, tap, shake, scrape, knock, tick, hum, howl
  • familiarise children with a range of sounds through onomatopoeia
  • use songs and rhymes to work on pronunciation, rhythm, stress and intonation

Toys and small world play

  • extend vocabulary related to a particular topic: park, zoo, farm, hospital, transport
  • comment on the objects, toys or figurines the children are playing with
  • comment on the settings, scenes, themes or storylines children are developing as they play
  • describe the position of the things the children are playing with: behind, next to, in, on, under

Puzzles

  • describe the pictures and colours on the puzzles
  • comment on the shape of the puzzle pieces: rectangle, square, triangle, circle
  • comment on the position of the puzzle pieces: up/down, here/there
  • encourage the social aspects of using puzzles: take turns, it’s your turn next, share

Sand play and water play

  • use language related to equipment and resources: brush, spade, scoop, spoon, cup, jug, bucket, sieve, cutters, rake, comb, funnel, sponge, soap, bubbles, straw, ladle, tea pot, watering can
  • extend vocabulary related to imaginary play: boats, diggers, bulldozers, tractors, treasure, dinosaurs, pirates, gardens, tea party, firefighter, plumber, dolls
  • use descriptive language: wet, dry, damp, gritty, hard, lumpy, flat, smooth, wavy, sticky, cold, frozen, clean, dirty
  • use language related to size, shape and position
  • describe capacity and quantity: enough, more, less, too much/little, overflowing, how much/many? a pile/cup of…
  • describe actions or what is happening: it’s fallen down, it’s gone, flatten, pour, tip, fill, scoop, cover, stir, splash, leak, drip, float, sink, trickle, spray, wash, dry

Have you got anything else to add to these categories?

Can you think of other activities or areas of childhood development and the related language development opportunities?

Share your comments with us below.

© British Council

Children need time to play

Play is fun, all children love playing, and children learn so much through play without even realising it. So we need to give children time to play, not just ten minutes when they finish their ‘work’.

When children play, they are experimenting with ideas, testing hypotheses, mastering skills, using their imaginations and representing their world. If you cut out play when teaching English you are removing a vital step in childhood development.

Here are a few examples of the different types of things children are learning and developing as they play.

  • When playing with plasticine children develop their fine motor skills. Children are working on hand-eye coordination and building up the muscles in their hands and fingers when modelling plasticine. These are valuable pre-writing skills, as good muscle strength and hand-eye coordination will help children hold and use writing tools properly later on. By playing with plasticine, children are also experimenting with things like colour, shape and texture.
  • When playing with dolls and a tub of waterthey are learning about the concepts of wet and dry, floating and sinking, clean and dirty. They are also engaging in sensory play, and experimenting with the way water feels.
  • When playing with musical instrumentschildren are developing sound recognition (the sounds that different instruments make and an understanding of how sounds can change (e.g. high, low, soft, loud, fast slow) and an appreciation of music. These valuable listening skills are transferable to the area of language and communication.
  • When playing with transport toys, children are experimenting with friction and motion, up and down, forwards and backwards, fast and slow.
  • When children are playing with blocks, they are learning about colour, shape and patterns, as well as the concepts of weight, size, height, length, vertical and horizontal.
  • In dramatic play and small world play(acting out scenes from real life, stories and/or imagination created with small figures and objects) children are representing ideas that help them make sense of the world around them. They can also experiment with playing different roles and inventing different scenarios, taking them beyond the real world and developing their imagination.

What do you think?

  • How important do you think it is to give children time to play?
  • How do you think play can help a child’s language development?

© British Council

Play and learning

We’ve talked about why children play and the benefits of play, but the idea still persists that if it’s too much fun, children are not learning.

However, the evidence suggests the opposite. Research shows that children actually learn through play. Play is learning.

Internationally renowned expert on early childhood and play, Tina Bruce, outlines in her book, Early Childhood Education, the 12 features of free-flow play:

1. Children use the first-hand experiencesthey have had in life during play.

2. Children keep control as they play. Play does not bow to pressure to conform to external rules, outcomes, targets or adult-led projects.

3. Play is a process. It has no products.

4. Children choose to play. It is intrinsically motivated and spontaneous.

5. Children rehearse their possible futures in their play. Play helps children learn to function in advance of what they can do in the present.

6. Play has the potential to take children into a world of pretend, beyond the here and now, in the past, present and future, and it transforms them into different characters.

7. Play can be solitary, and this sort of play can be very deep.

8. Children can play together or with an adult, in companionship (parallel play), associatively or cooperatively in pairs or groups.

9. Play can be initiated by a child or an adult, but adults need to respect the child’s play agenda by not insisting that the adult agenda dominates the play.

10. Child-led play is characterised by deep concentration.

11. In play, children try out their recent learning, mastery, competence and skills, and consolidate them.

12. Play makes children into whole people, able to keep balancing their lives in a fast-changing world.

Tina Bruce (2015) Early Childhood Education 5th Edition